Three dimensional works seems to be everywhere right now: entire compositions that have so much depth, you can’t help but reach out and touch them. 3D typography especially feels just about ready to pop. The best part about it is there’s no particular type that works best for this trend: bold, skinny, sans-serif, script, any font can be rendered in 3D.
We’re starting to see the beginnings of a move away from the rigid grid-based designs that have been standard for the past few years. The dominance of Squarespace and Canva and other template-based design sites provided beginners with beautiful websites and graphic products, even if they had no idea what a grid was. Now designers are looking to create products that feel more bespoke and alive.
Enter the asymmetrical design trend.
Because these layouts break free from the rigid and predictable grid, they deliver more kinetic energy and movement. An asymmetrical layout, whether on a design composition, in an app or on a site, demands attention. The user feels an innate curiosity about where the information and graphics might go next, creating a feeling of wonder and interest as they scroll or peruse a design.